Backstrap Weaving – An Unexpected Match

Finished with the second figure and glad that I hadn’t cluttered the center space.
This photo gives a better view of the white-on-white pattern which is sometimes very hard to capture well. Note how the variegated thread mysteriously changes tone right at the middle of the warp.
When laid out flat like this, it’s a bit disappointing how “flat” it looks considering that it is, after all, made from silk.
Here’s another look at the white-on-white patterning on the sides that I love so much.
Here it is with one of the two flower/foliage bands placed alongside.
The two flower/foliage bands together. I was particularly pleased with these two bands as they had been a study in how to switch background colors smoothly back and forth along the length of a band without using a harsh and sudden horizontal transition.

I’ll leave you with images of two little slices of culture here in Santa Cruz…

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Author: Laverne Waddington

I am an Australian who has recently returned to Australia after having lived for 32 years in South America where I was teaching English, weaving, writing, and studying indigenous weaving techniques. I have been learning and documenting traditional textile techniques of various Latin American countries with indigenous weavers since 1996. Although I have studied using several types of simple looms, my loom of choice is the backstrap loom. After many years of largely replicating, adapting and embellishing patterns that had been shared with me by my weaving teachers and friends, I now design my own unique pieces while continuing to employ the woven structures used by my mentors in South and Central America. In 2009 I decided to leave my English teaching job to focus on weaving and, since then, have self-published eight PDFs on technique and patterns which were sold on various websites over the years. I now plan to sell them here on this blog...coming soon. Please subscribe to this blog for updates.

15 thoughts on “Backstrap Weaving – An Unexpected Match”

  1. Your hummingbirds and leaves are always exquisite, Laverne! They are so delicate, they look like they could emerge from the textile. Beautifully woven, as always.

  2. Your weaving is always gorgeous. We met in Florida, USA about 8 years ago. Do you have patterns for these designs in one of your books? I hope we run into each other again.

    1. Hi Janean. I remember very well meeting you after the inkle loom class that you had just taught. Thanks for your comment on my weaving. I haven’t published a book on the supplementary-weft technique yet but plan to and will include some foliage patterns and many others. The hummingbirds have a special meaning to me and so I most likely won’t include those. Yes, I do hope that I can visit all the tropical weavers in Florida again some day.

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