Posted by: lavernewaddington | April 26, 2026

Backstrap Weaving – Seasons

I wove this with handspun cotton singles that I’d bought in Guatemala back in 2008. I used my bamboo reed to achieve the sheer open look and used the same cotton as supplementary weft to weave in patterns. It’s a style that I had been wanting to try ever since I bought a sample from the Coban area of Guatemala.
While I love spinning with a drop spindle, I can’t say the same for plying. I find it downright tedious and I just wanted the task to finish. I’d ply at my craft group gatherings, on the train, at the Arts Society gatherings, at the spinning and weaving group….it just seemed to go on and on.
I managed to squeeze in some time at the loom between hiking trips. It took two attempts to wind a warp to my liking from all those fabulous natural dye colors but I had to face the fact that I just wouldn’t be able to get them all into the one piece.
Four seasons motifs in progress. The heddle arrangement may look awkward but it works well. I had seen weavers in Bolivia use similar arrangements for their double weave pieces.
The figures as well as the colors are meant to represent the four seasons. The yarn I had dyed with cochineal just didn’t belong here. It can wait along with the greens for another project.
I didn’t want to use the handspun wool as weft for either of these pieces and used instead some unidentified soft and very loosely spun ”stuff’ that a friend had given me. It worked well except for the fact that it was somewhat slippery and wanted every now and then to slip out of the shed at the edges rather than lie there snugly. I’d had that very same experience with luscious alpaca yarn that I’d spun once upon a time.
The two faces.
I somehow always find myself on the floor at the planning stage. I didn’t have a choice in Bolivia but I’m in a bigger place now with table space. I still end up on the floor.
I’m in a couple of hiking groups and get to go out at least twice a week.
The “real” project will be much wider than this.
I couldn’t believe that after having admired the Indonesian ikat textiles for so many years, particularly the ones from Sumba, that I should run across these in an op shop?!
This photo was taken after one week. It has developed even further since.

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