Backstrap Weaving – Braids 2012, Threads that Move

Braids 2012 is all over and all the British attendees must be back home now wondering what hit them. Many of the foreign visitors went off to families or packed their things into rented vans and hit the road leaving  just Elizabeth Kolb of Canada, Ingrid Crickmore of the USA and myself, all of us more or less “homeless”, together here in the MMU dorms.

So, what did we do with our time alone here? Ingrid and I had a fun morning checking out the Costume Museum and the Ede festivities in a nearby park yesterday. Today we all caught up on some much needed sleep and laundry then of course, of course, what else?…we braided.

I spent this afternoon editing my pictures and wondering why I hadn’t taken a whole lot more.

This is the first big conference at which I have registered, signed up for classes and taught which meant that there really wasn’t much free time to just wander about, soak up the atmosphere and take pictures. It was up early every day to participate in a steady stream of activities.  Coffee and meal breaks seemed to be spent waving the food about in the air in our hands while  trying to explain a braiding or weaving move rather than actually consuming the stuff!

That is why I have decided to re-name this conference “Hands that Express”.

I was getting frustrated with my photos which had been taken indoors in low-light conditions with so much movement going on. My pictures always seemed to show two people in deep conversation with a blur of hands in front of their faces…hands that flitted and floated and turned gracefully in the air as they described their craft. Then I understood that my pictures with the blurred hands actually captured better than anything the spirit and essence of this event….expressive hands, conveying passion and ideas even when not putting threads into motion.

Too bad I only realized this after already having deleted many of the pictures!

And such interesting hands. Above we see the hands of Errol Pires Nelson of India with their built-in ply-splitting tools. He is starting off a ply-split braid for a new student in one of his many impromptu classes outside his scheduled teaching days. I, too, rely heavily on a long thumbnail as a handy tool for my backstrap weaving, especially for heddle making, but I am a bit shy to leave it long when I am out and about.

The city of Manchester was a wonderful place for this event with its fascinating role in British and world textile industry history. The MMU made a nice home for us all. I have always loved communal living and staying in the dorms took me back to my ski bum days except that we were all tucked up in bed early each night so we would have enough energy to face the full days of lectures, classes, conversation and all that hand-waving!

The little I saw of the city itself was impressive…all that brick and stone…old and new side by side with the gorgeous Palace Hotel, with its landmark clock tower pictured above, built in the late 1800s and early 1900s, standing majestically on the other side of the street from the Holiday Inn Express.

The old and new, the very old British structures and the newer items representing the British melting pot of cultures stand sometimes comfortably, sometimes clumsily and very often very colorfully side by side….the lovely old “Picture House” perched on top of the  MacDonald’s….  But this is just the quick impression I got from the very little time I got to spend out and about before and after the conference.

Day one pre conference was spent settling and meeting my dorm-mates…the “naughty old British ladies” as they called themselves. We spent the first evening putting together “fill-the-gap” braiding kits which we were to use to teach braiding to visitors at the Museum of Science and Industry the following day. These humble “fill-the-gap” kits were responsible for providing a considerable part of the funding for the Braids 2012 event. Braid Society volunteers attended fiber events during the many years of planning, taught braiding and sold the little kits. Hundreds of people were introduced to this fun craft for a tiny fee which helped make Braids 2012 possible….impressive!

It was a lot of fun seeing Rosie and Sally in action at the museum. Of course they had no problem getting kids to try braiding. It was a little more difficult convincing some of the adults but Sally and Rosie obviously had a lot of experience with this and their cheeky sense of humor soon had entire families of all ages sitting and standing about completely absorbed in braiding. The kits were free at this event.

About 100 braiding kits later….we went directly to the conference opening and were welcomed by the Chairman of the Braid Society, Steve Pretty. Society President Jacqui Carey gave the keynote speech. We were then treated to a koto recital by Enokido Fuyuki  who then invited us to come and try our hand at this traditional Japanese instrument. Steve Pretty is being given some playing tips below. It was a lovely way to open the event considering the large number of Japanese attendees and the many traditional Japanese braiding techniques that were being offered in the workshops.

Morning lectures included those offered by Carol James and Stacey Harvey-Brown, pictured above, on North American Braided Sashes and Northwest Archives for Research and Inspiration.

There are those expressive hands at work while Ingrid and Carol discuss techniques besides Carol’s display of beautiful finger-woven pieces.

I signed up for Anne Dyer’s class on a technique which she calls “snagging” on tablet-woven bands which has given me some cool ideas for plain-weave tubular bands that I make on my backstrap loom. I also took Robyn Spady’s class on handwoven decorative trim on an inkle loom. I was happy to have Susan Foulkes as my classmate and we were both rebels and wove on backstrap looms rather than on inkle looms. Susan used a rigid heddle and I used my usual string heddles and a shed loop.

Both instructors gave a us a run down of the technique and a multitude of inspiring samples and then let us run with it and create. It was fun to stop every now and then to take a spin about the room to see which direction the other students were taking. This was very interesting for me as the techniques I teach need to be built up in steps throughout the entire duration of the class leaving little class time for any free wheeling and experiments. Things need to be more structured. It is always so wonderful being a student again and especially in the hands of such great teachers. I get to evaluate the way my classmates and I react to the material, the pace of the instruction and the general learning atmosphere. I learn so much that I can then apply to my own teaching.

On Monday night we had the Braiders’ Bazaar. I bought nothing!

Happily, I was too busy demonstrating backstrap weaving and meeting various online weaving friends as well as talking about my first book  Andean Pebble Weave. It was fun to tell an Italian attendant about the translation that has been made of the e-book to her language.

Happily, I was also able to show the front cover and also tell everyone about my follow-up book which had just gone up for sale the night before on Patternfish.com.

Later I heard about all the wonderful things that had been offered at the bazaar…books, tools, yarn and textiles including some amazing ply-split camel girths, which I did manage to photograph (see above). Ingrid and I were oblivious at our table where I was weaving a pebble weave band on my backstrap loom while she demonstrated how to do what would normally be a two-person/four-handed braid on one pair of hands.

Evenings had us gathered in our communal kitchens, showing what we had learned that day and sharing new techniques with the usual flurry of enthusiastic hand gestures….doing the techniques, talking the techniques, watching (although you weren’t allowed to get away with just watching for too long!), enjoying, discussing…it went on and on.

 Many a warp was wound…all Carol needed was a chair and pair of chopsticks. With an ironing board and frying pan Helen sets about making a braided and felted scarf. All hands were occupied and, if you walked in without a craft, you would soon find yourself with strings dangling from your fingers as did the Japanese visitors above.

Kathleen has a ply-split scarf in progress on her knee and Sally, Rosie and Phyllis are knotting bracelets. Ruth found the coffee break a good time to teach silk spinning on one of her home made spindles to Mari Omura who lectured on Chinese and Korean loop braids. And if you run out of chairs, as often happened, just perch yourself on the window sill as Shirley did with her marudai. Carol is finger weaving with her work suspended from the kitchen cupboard while Steve and Elizabeth can do their ply-split braiding anywhere anytime without tools or supports.

A still moment for a photo op with Anne Dixon…two “warp-faced” ladies, an inkler and a backstrapper who love to weave pick-up patterns.

Every now and then we did manage to sneak out of our classrooms to peek into others and the teachers were all very welcoming. I was lucky to find a moment to pop into Rodrick Owens’s classroom and see his stunning display of Peruvian sling braids which has made us all the more enthusiastic about his up and coming book.

I didn’t get to see Jacqui Carey’s class on Chinese Braid Embroidery in progress but I heard so many wonderful things about it and did manage to see her display of  Chinese braiding bobbins,  a few of which are pictured above. We were also able to see her Chinese braid embroidery work called “Jo’s Jacket” which is breathtaking. I am sorry, but I have nothing to show you about that.  All I can say is “just wait until you see it!”

On Wednesday we had what was called a “rest day” and were taken off to be fully immersed in the history of silk weaving in Maccelsfield with visits to the Heritage Center, Paradise Mill and Silk Industry Museum…a wonderful day out.

This, along with my weekend visit to the Museum of Science and Industry, gave me a glimpse into life at the peak of the cotton and silk weaving industries in Manchester and Maccelsfield….It really is all too much to go into here…life working in a mill, Sunday school and home life for the working children, the hardships of the mill workers, the cloth, the buttons, the costumes, the magnificent looms and machinery….it was a full day which left our heads spinning. I know that I am leaving you hanging here with a bunch of pictures with no description, but maybe I will be able to elaborate in another blog post some time in the future.

Ingrid and I were both slated to weave and braid on Thursday and Friday. Here’s Ingrid with Debbie Richardson, the amazing organizer of this brilliant event, on Thursday morning. I can see Ingrid’s enthusiasm shining in her eyes. I know that all the braiders were thrilled with her.

Errol was also ply-splitting those days and had already made himself a big favorite with his quiet presence and special dry sense of humor. He seemed to be able to just produce out of nowhere at any time one of his fabulous ply-split creations.

My goodness, I had a fabulous hard-working group! I suggested we not have tea break on day one and everyone was more than happy to stay in and continue working. We also started at 8am on day two rather than at 10am as scheduled. Why not squeeze as much out of this as we can?! It really was a pleasure to have such keen and tenacious weavers. Susan Foulkes joined us on day two for the Andean tubular band segment. Ruth MacGregor, who edited the conference proceedings (along with Shirley Berlin) was also there with Clare, Margot, Marge, Bridget, Janet and Mayako.

Thursday night was banquet night and a chance to congratulate and thank all involved with the organization of the conference before everyone started disappearing on Friday evening and Saturday. At the banquet it was announced that Braids 2016 will be in the hands of Robyn Spady and will be held in Seattle USA. It was a night for dressing up and our Japanese visitors did not disappoint!

And that brings me to my last night in Manchester. As I said, I am sitting here looking at the pictures and wondering where the week went and why there are so few pictures to tell this story. I hope I have been able to convey just a little of the fun we had and have you all thinking that maybe a trip to Braids 2016 in Seattle is something you should be planning.

Lucky Elizabeth and I got private braiding classes with Ingrid today. I am off to Cambridge tomorrow. I wonder if I will see Elizabeth again somewhere sometime. Ingrid always weaves with me when I am in California so we are bound to meet again soon. That kind of thought always makes the goodbyes easier.

Backstrap Weaving – Greetings from Manchester!

Hello from Manchester, England! Sorry to have disappeared these last two weeks. It was all book, book, book and preparation for this trip and now I can hardly believe I am here.

Braids 2012, Manchester England! What a beautifully organized event by Debbie Richardson and all her helpers at the Braid Society. Today was registration, key note speech and welcome and all the big action starts tomorrow bright and early. Not that there hasn’t been any action so far….you will get a full report later as I am still in a mist of jet lag. That was a heck of a trip from Santa Cruz to here with something like 30 hours door to door. But I am a lucky gal. A surprise  upgrade on British Airways  gave me a very comfortable night flight into London from Miami.

Now I am trying to sort through names and faces…people whose books I own, whose work I have admired, people who have become familiar from online contact but whom I have never seen. All very exciting!

But what I am really here to tell you all is that my new book is now up on the Patternfish.com site and ready to buy! It was my goal to have it finished before the Braids Conference and I just scraped it in. I came back to my room after a busy day to find the link in my inbox and several copies already purchased!

If you are an experienced “Andean Pebble Weaver”, get ready to use all the skills that you acquired by working through the step-by-step lessons in my first book. With those under your belt you will be ready to weave and enjoy over 150 new patterns. Over 100 are for pebble weave and there are new techniques and new charts covering other patterns from the highlands and lowlands of South America and beyond.

Maybe you bought my first book but haven’t used it yet….well, it’s time to go get it out, dust it off, or find it on your desktop, and get to work so you can then enjoy all the patterns, tips and techniques in the new book!

My next post will have lots of pictures and news from the conference. It should be an intense week. And now it is bedtime on this side of the world just when I feel like celebrating!

See you soon!

 

 

 

 

 

 

Backstrap Weaving – Waiting….

I can’t believe that two weeks from today I will be on my way to the UK. Needless to say, this next fortnight will be mayhem! I will be off to Braids 2012 in Manchester followed by a visit to Cambridge, a short spell in the Netherlands (first time!) and then a little time in London before heading back home.

Hopefully all the Olympic madness will be over. Maybe I can pick up a nice souvenir at a post-Olympic sale. I know that I will meet lots of weavers and fiber folks. There will be familiar faces…Rodrick Owen, Robyn Spady, Ingrid Crickmore who will be teaching but who is also one of my regular backstrap weaving students and Eileen Thompson with whom I stayed during my visit to Texas last spring. Despite that, this UK trip feels a  bit on the scary side…don’t ask me why! I spent time in London in 1982. I was there right when the whole Falkland Islands, Las Islas Malvinas crisis erupted. It seems I was not as fond of taking pictures back then and one of the few I have is one of my very bedraggled self feeding pigeons in Trafalgar Square on a drizzly day.

I will be back in September with time to think about a couple of other textile events….

This event will be held in Cusco in the first week of October. Right now it doesn’t look like I will be attending. For some reason there are no direct flights between La Paz, Bolivia and Cusco, Peru like there used to be and the only option via Lima costs more than  ticket to the US! However, there is always a chance that something will come up between now and then so I will leave that up to the gods. One of the organizers of this event is a Peruvian anthropologist that I met at a similar gathering here in Santa Cruz last year. It was a very nice low key and intimate event. Somehow I think that this one in Cusco will be much larger.

And then, planning way ahead to 2013 there will be this….

Exciting! It seems so long to wait….but that is how I felt about Braids 2012 and here it is almost on top of me now.

As for my book, well, that’s a waiting game now. There is some technical stuff that I am simply not equipped to deal with and so I have had to hand over to some kind helpers and will wait and see what happens. Actually, I have to admit that it is nice NOT to be able to work on the book today as I am, quite frankly, exhausted from peering at the 10″ screen of this mini computer! However, it makes me all fidgety and I find myself shuffling through pattern charts and books when there really isn’t anything productive that can be done at this point.

What is the solution for that? WEAVE!

I just got an idea about what to do with the white demo warp that I carted about the US last spring. It is warp-faced plain weave and white…can’t get any simpler than that. I added some twining in red, blue and black and there it has sat waiting…..waiting for inspiration. Well, I think it has come in the form of this….

This is the back cover of  a beautiful book on backstrap weaving in Bangladesh, Strong Backs, Magic Fingers. It shows an alam which is the traditional sampler that girls in the Chakma ethnic group are supposed to weave in order to master 210 designs and show their weaving skill.

Authors Manjulika Chakma and Niaz Zaman write that…

Most alam designs are drawn from nature: from flowers, trees, reptiles, birds, and animals. Some of the names suggest the source of the image; other designs are simply called by the number of lines of weft needed to make up the design.

The last part I found interesting as Maxima, one of my weaving teachers from Cochabamba, also gave some of designs in her pebble weave repertoire simple numerical names according to the number of pairs required to weave them. She had a set that she would refer to simply as tawa chinito meaning four pairs.

The older alams, according to the book, are woven in black, red and white yarn.

Those colors sound right up my alley, right?  The ground cloth is a balanced weave.

I will take some of the 210 possible alam designs and use them as inspiration for my white warp-faced piece, creating patterns with red and dark blue supplementary wefts.

On the other hand, I just love this simple white with its intervals of basic twining and wonder if it is a mistake to add pattern…

Speaking of color and lack thereof, I had fun weaving samples for my book and put together this fun collage of colors that I would never dream in a million years of ever placing in the one piece….

It’s just two bands with both their faces photographed and put together. I think the result is very exotic! and can imagine pillows covered with fabric like this scattered about on the floor of a tent on the high plains of Central Asia…The pattern is indeed inspired by those I have seen on Central Asian textiles woven in various structures and I have adapted it to pebble weave. This is what one part of my book is about…adaptations of traditional textile designs from other far flung cultures to the pebble weave structure. I had a lot of fun with that. After a while you start seeing the potential for pebble weave in everything!

So, while I wait for my tech-wise friend to advise me on the next step in the process, I can show you the cover of the book. It is rather wordy, but, hopefully, will not leave you with any doubts about its contents…

A follow-up to Andean Pebble Weaveit says. As I mentioned in a previous blog post, this book does not stand alone as a how-to type of book. It builds on skills and know-how to which you will have been exposed in my first book and then goes beyond with instructions for other complementary-warp pick up weaves with lots of pattern charts.

So now I am going to step away from the computer with its book files, pictures and charts and head to the loom, stepping over all the charts and sketches on the floor, ignoring the tempting pile of books open on the table…time to dig out that supplementary weft yarn.