January 2021 – Backstrap Loom Weaving

Backstrap Weaving – Within These Walls Part 2

There really wasn’t any other name that I could give to this post except “Within These Walls Part 2” because that is pretty much all that I have been working on in the relatively long period of time that has passed since my last post. It’s partly about ikat. That alone is slow stuff. And, then there’s something even slower going on in this project…Andean Pebble Weave pick-up over 1200 ends of 60/2 silk.

Here’s the first finished piece that I showed you in my last post. It may actually end up being the third in the sequence when all is done. I haven’t quite straightened out my idea for Part 3 and so, who knows in which order the three pieces will end up in the final sequence.

Part 2 is the opposite of this piece color-wise. All the red areas will be black and vice versa. You can see the warp in the picture below after it had been dyed and partially unwrapped. I am using two sets of heddles for the two pebble sheds in the Andean Pebble Weave structure. Yep, that’s a lot of heddles but I love making them!

But really, apart from the time spent wrapping the warp threads with tape and dyeing, the thing on which I have probably spent the most time so far is planning what I am calling the “chaos section”. Coming up with a chart for that had me covering my floor with eraser dust. I wanted something that looked like an impenetrable maze. I drew maze-like patterns on my charting paper but the problem was that they looked like patterns. They made sense. I needed something that looked chaotic and unpredictable and I wanted the dominant color to be red. Once I had decided that what I wanted to see was pretty much “a mess”, it was much easier to get it down on paper. Just doodle a mess. Draw lines every which way. It was fun.

The first section was all about birds. And then came the chaos. I love the sheen of the silk that the camera’s flash picked up in this picture. The silk that I am using generally doesn’t show any signs of sheen until the finished piece has been washed and pressed. It can be disappointingly dull on the loom.

Weaving the chaos section wasn’t so much fun until I came up with a way to color code sections and match those to color markings on the charting paper. Then I also discovered that when you are trying to create chaos, nothing really counts as a mistake unless, of course, it is structural.

So, while I do manage to stick very well to what I have drawn on paper, an occasional line that wanders off to the right when the charts says it should be going left is no big deal at all…thankfully!

There will be some hummingbirds hidden within the chaos. I like how some of the chaos shapes can start to look like recognizable forms if you stare at them long enough…one shape might look like a llama, another like a rabbit, another like a demon, another like a flamingo. If you blink, you lose the spot on which you had been focusing and chances are you won’t find the rabbit again! It’s sort of like when you see figures in fast-moving clouds.

And so, I am creeping along with this. It’s slow but I would say that it’s painlessly so! There’ll be an addition to the story when I get to the center. Once I get to the main black shape that the ikat tape had enclosed, I won’t be picking up across 1200 ends any more and the number of threads of pick-up pattern will gradually reduce. I am sure to feel as if I am zooming along at that point.

You can probably spot the hummingbirds in amongst the chaos in this shot. They are on a journey, the end of which will be revealed when I get to the center of this piece.

I am still not able to capture the richness of the red in these pieces. Once Part 2 is finished, I’ll put the two finished pieces together and get to work trying to figure out how to photograph them better.

I hope I’ll be able to show where those hummingbirds are heading in my next post.

Zoom meetings are still keeping me good company. I so love being able to get together with weaving friends on a regular basis and my Andean Pebble Weave on Inkle Looms workshops have been going really well with students turning out some really pretty bands, some of which have their own original patterns. By the way, the new book that I am currently writing is another project that has been keeping me busy behind the scenes.

Take care everyone and please continue to stay safe.

Backstrap Weaving – Within These Walls

2021…..Yes, it’s a new year. No doubt there will be new and better things on the horizon but I don’t expect things to change too much in the life I am living within these walls. I don’t mean that in a gloomy way. My loom and Zoom have chased away the gloom. They have been my best friends during the pandemic along with a little help from my Kindle and camera. I have stayed safe, healthy and well-fed in both mind and body and I guess I can be grateful for being at an age when getting things done just doesn’t seem as urgent as it used to be. I have the time to do some in-depth study of certain weaving techniques and, thankfully, people are still interested in what I do which often leads them to purchasing my books.

One of the 1992 adventures: Starting the first non-snow leg of the Mt Hood climb.

In a Zoom call with my 29-year-old nephew, I was trying to recall what I was doing when I was his age and trying to imagine how I would have reacted to having all my plans suddenly shelved by a pandemic. I was single, I had quit my job, and my plan had been to hike and backpack around the USA for six months starting in the month of April of that year. So, of course, there was a sum of money in the bank that would have allowed me to do that.

I hate to think how I would have reacted to being stopped in my tracks by a pandemic…. jobless and stuck at home spending that travel money just to get by while looking at my four walls. At that time, my life was all about the outdoors. Stay put and weave for a year? Unthinkable!

I can still remember waking up in my bunk bed in the Honolulu Youth Hostel, which was my first stop on that trip, smiling and closing my eyes, smelling the ocean, hearing the waves and thinking about all the possibilities for adventure that lay ahead. There have been a few times over the years when I have actually said to myself…stop, drink this in, remember this scene, the sounds, the smells, and how you are feeling because it will be fun to be able to recall this exact moment some day in the future. That moment in Honolulu was one of them.

I am so impressed by the way the much younger people in my life are handling this situation. These are also times to stop and drink in and imprint in the mind. Some time in the future when things are better I am sure that it will be occasionally useful to be able to recall the sights and sounds of our surroundings and the way we were feeling in this difficult period.

So, within these walls, I have been busy planning a weaving project that somehow captures the idea of creativity within confined spaces. I like the fact that this idea still allows me to play with ikat. I try to do other things but keep getting drawn back to it.

I am using the ikat to create the confined spaces in the warp within which all the activity is taking place. Once the warp is dyed, all that lies outside those spaces will be dark and will represent the unknown.

This is the ikat warp that I showed you in my last post. Tape is wrapped to form the pattern on the red warp. This goes into a black dye bath. The taped areas (hopefully) resist the dye. I seem to have come to grips with my technique in that part of the process and my plastic wrappings don’t leak. This gives me a nice sharp pattern on my warp which I try to keep as sharp as possible as I weave.

So, that’s me at my backstrap loom, within my walls, imagining the world outside.

This required some large pattern charts. Juggling balls are there for scale…yes, I’m still juggling.I am still a pencil-and-paper person and drawing charts sprawled on the floor is a big fun part of the process for me. Of course, I could have downsized the blank pattern charts but I wanted everything to be large enough to be able to simply glance down to read the pattern. There were, after all, six hundred threads to be picked in the widest part of the pattern. (The warp has 1200 ends of 60/2 silk.) I didn’t want to have to be squinting at a small chart or moving an image of it around on my laptop screen.

The first half finished….So far, so good, as far as keeping the ikat image sharp. But, you can never tell how things are going to progress. That aspect of working in ikat is still fairly unpredictable for me.

Here’s the finished main section of the Within These Walls piece. The warp threads behaved and gave me nice sharp outlines for my walls. This is the only shot that comes close to showing the richness of the red color in the silk thread I am using.

I would like to make a series of three pieces in this Within These Walls theme. They can be framed and hung on the wall in a future home. Unfortunately, after winding the warp for the second piece, I realized that there wouldn’t be enough red for a third. I do, however, have loads of black 60/2 silk and quite a lot of a similar red in 140/2 silk. The third piece could be a non-ikat one using black warp with red pattern in supplementary weft. I am actually really enthusiastic about planning that one and making it work with this theme. Necessity is the mother of invention, right? I have no choice but to work with what I have on hand.

But that is way down the track. I have only just wound the warp for the second piece and mounted it on the frame so that I can start wrapping it with tape. There’s going to be a whole lot more wrapping on this one and that will keep me occupied for a couple of weeks, I should think. With the summer humidity, that will mean two weeks of walking around with stray hair-like strips of ikat tape clinging to my body, turning up in my food and washing off in the shower! With the ceiling fan going, those stray strips go everywhere.

I sit on my bed and have one edge of the frame leaning against the edge of a table with the other end on my knees. That works quite well. The hard skin that I developed on my finger from the last session of wrapping and which was really annoying while I was weaving (getting itself caught on the fine silk threads), has finally worn itself away back to smooth new skin….just in time for this next wrapping session…ha! I have seen photos of ikat artists in India working with some fingers wrapped and wonder if they are avoiding this same problem.

I’d like to finish by thanking all of you who have been buying my books. I hope this new year gives you time to explore them and hope that the free time that you have available to devote to it is on your own terms rather than being forced upon you due to yet another lockdown.

Here’s something that Mary Spanos has been doing within her walls….a beautiful Andean Pebble Weave pattern in 20/2 cotton using one of the patterns from my More Andean Pebble Weave Patterns book. This particular pattern has the over-under look of weaving leading someone to point out that it’s like “weaving within weaving”.

Outside my walls, our entire city has been shut down this weekend…no vehicles or pedestrians are allowed to circulate, no shops or businesses allowed to open, no alcohol can be consumed…everyone has to stay home while a brigade of seven thousand covers as many neighborhoods as possible in two days to assess the extent of the current second Covid surge. Very few people get tested here…they can’t afford to…and so this is the government’s way of trying to reach and assess the needs of those who remain in darkness about their condition and have no choice but to ride out the disease at home.

So, we are all staying within our walls this weekend.

Take care and stay safe, please.