Backstrap Weaving – The View from my Window

 

My makeshift photo/video studio at my living room window.

For those who visit my blog to see weaving, there is some in this post, but there’s also a bit of rambling. Forgive me. These are strange times! If you just want to see weaving, and there’s some great eye candy to be enjoyed, you should scroll on for a little bit.

Since I set up my little “video studio”  to shoot the clips for my book on double weave, I have become much more aware of the view I have from my windows. I usually have blinds on these windows and they are always drawn in an attempt to keep out the heat and dust. Now, with everything wide open I see that a good quarantine activity might be washing windows! While hunched over the camera, I feel a little like James Stewart in the Hitchcock movie “Rear Window”. I see little slices of  life through the various windows in the condo. Then again, I wonder who in turn might be observing me and wondering “What is the gringa up to now?”

Filming has been interesting. I have to straddle the tripod, sort of semi-squat, lean to one side to see, and reach around and weave all while trying to keep my head near the camera and in good range of the microphone. My leg muscles start to scream! So, when you buy my book and watch the videos, you will see that one of the clips has an ant merrily making its way in and out of shot. I did many, many takes for many reasons but I decided that the ant could stay. It amused me. I can say that no ants were disturbed or harmed in the making of my movies! 😉

I now know that  one of the neighbors on the second floor in the next building has a Tonkinese cat. Mine now lives with a friend. I had to re-home her because I was traveling so much. She turned 17 on April 1st! I usually visit her twice a week but visits are off for now. Now my friend sweetly sends me videos of her. I see the neighbor’s cat sitting on the window ledge. Like many of us, I suppose it’s wishing it could go out and wander around. I see other neighbors sweeping, cleaning, shaking their table cloths out the window and putting me to shame. I have been wholly devoted to the book these last weeks…heck, months! Everything could do with a good cleaning.

In my last post I remarked on the absence of familiar sounds during the current lock-down. Now there is a new sound of which I had not previously been aware…the rustling of fallen leaves. I live in the tropics. There is no apparent change from summer to fall. We have a sort of winter with slightly milder temperatures but that is all. We have a wet season. All remains lush and green. Today we sit at 93 degrees. However, now I am aware that there are some trees that actually lose their leaves in what is our fall season. The cleaners aren’t coming in every day to sweep up the leaves and they blow about and rustle along the cobbles.

Certain smells are absent too…the “interesting” aromas from the big street market down the road that the wind sometimes blows over is happily missing. The market has been shut down. And that most typical Santa Cruz fragrance…the churrasco! (barbecue) which seemed to be in the air at almost any time, even at 11pm when I would go out sometimes to enjoy the cool air, is no longer around. However, a new aroma is in the air. I noticed talk in one of the Santa Cruz Facebook groups of the disinfecting effect of burning eucalyptus leaves. Someone here burns them every afternoon. I can close my eyes and imagine I am back in Australia on cool autumn evening when people in the neighborhood would rake eucalyptus leaves into piles and burn them.

Because this is what I actually see from my bedroom window, I often play a little mind game when I am seated at my loom. I sit on a firm foam cushion on the floor with my loom attached to the base of my bed. From there I can’t see out my window.

While sitting there, I imagine that I could be anywhere in the world. It wouldn’t matter where I was, because at that moment I have chosen to sit on the floor and be completely focused on my weaving. The foothills of the Himalayas could be outside my window. The Mediterranean Sea could be out there sparkling in the sun. Or it could be the Straits of Magellan stretching away to Tierra del Fuego in the magical low, soft light that is so peculiar to that far end of the world… or any number of fantastic scenes that I have been lucky enough to experience in the places I have chosen to live and travel. I once woke up to this magical scene of snow on a train trip from San Jose to Seattle. I was lucky to be in the last carriage to get this view. It’s a bit harder imagining this to be outside my bedroom window because it is so darn hot!

Depending on the time of year, the evening golden moment has the light of the setting sun bouncing off one of the building’s terracotta walls and filling my room with a warm glow as I weave. In winter when the sun is in a certain position, soft late afternoon rays skim the surface of the fabric on my loom.

I have been missing my backstrap loom and my little spot on my bedroom floor! Yes, I have been weaving, but on an inkle loom because the title of my new book is Warp-faced Double Weave on Inkle Looms. The book is finished! But there is still work to be done. One file has gone to the printer for the making of the spiral-bound books. The other has gone to Taproot Video so that it can be uploaded to the website. All that takes time and I will let you all know as soon as the book is ready for purchase. As usual, it will be offered as a PDF as well as a book.

I am now ready to return to what might be an over-ambitious plan for my next ikat experiment. I have to put the cochineal aside for another day as I was never able to get hold of the alum. I still have synthetic dyes that I can use with my silk but that part of the process is still a long way off. I now have to figure out how to go about tying the pattern that I have sketched into a silk warp.

I have been weaving a lot of double-weave samples lately. Here’s one of the double-weave patterns from the new book which was created by Marilyn Romatka in one of my workshops. It’s amazing how this figure which is undeniably a llama, and a very elegant one at that, has been designed with so few threads. It is stunning in its simplicity and I am so happy that Marilyn allowed me to include it in the book…

I am left with a large box full of the woven samples for the book. I often just wove one figure, photographed it for the book and moved on. This means I have a lot of small pieces that could be used as key fobs and bracelets. The llama band will be a key fob.

Here’s another example of a very simple pattern. Both bands were woven using the same thread for warp. The one on the right uses a finer material for weft and I wove it with a much heavier beat. There is also quite a difference in feel and visible texture between the two. The one on the left has been washed and pressed while the one on the right is fresh off the loom. Both will become bracelets. There is a nice section in my book on different ways to finish double-weave bands depending on their intended use.

There is one thing to be said for deadlines…they force you to come to a halt! Although there is no real deadline in self-publishing, I would always have the trips away from home in the spring and the fall… the trips I called my “weaving safaris”… that would bring my weaving and writing projects to a necessary halt. This year has been different…no travel… and I have had to really force myself to stop the book project! How many times can I fiddle and adjust and enhance?! When do the changes I make stop being improvements and actually start to muddy things up? So, yes, it’s done…the files are in other hands and I am beyond the point of no return! Phew!

I will finish by showing you what my weaving friends around the word have been creating. I don’t step out to see the world. The world comes to me 🙂 These projects bring me so much joy!

My friend Emerald in Sydney has had her job put on hold and has not wasted any time getting back into her backstrap weaving. She has woven one of the two weaving figures from my Complementary-warp Pattern Book. The figure was first designed by Maja Bürger in Germany and she allowed me to make some changes so that I could have two versions in the book. This is how Emerald has her backstrap loom set up at home… When I stayed and wove with her in Australia, she was a sit-on-the-floor weaver but has now created a different set-up sitting in a chair.

Nora Dereli is welcoming spring with my Garden set of patterns from the same book linked above. This set includes, birds, blooms and butterflies and there’s another set which has bee patterns. Nora uses the Windhaven Accordion loom.

And, here’s yet another Andean Pebble Weave/ complementary-warp project and a different kind of loom with patterns from the same book, Complementary-warp Pattern Book….Gonit Porat teaches weaving in her studio in Israel. This is the work of one of her students, Michal. The warp is tensioned on the frame of a rigid heddle loom. There are four lovely horse figures in the Animals set which were designed and contributed by my friend Deanna Johnson.

This band is from Linda who is enjoying using 5/2 cotton on her inkle loom. The pattern is from my More Andean Pebble Weave Patterns book.

Maria Leticia Galve in Buenos Aires, Argentina sent me this picture of her work. I am particularly happy to see the patterns on the left which are from my very first book, Andean Pebble Weave, that I published ten years ago! The other beautiful knot-work pattern is in More Andean Pebble Weave Patterns. That book has several knot-work patterns, some of which I adapted from Louise Ström’s tablet-woven designs.Deanna, who designed the horses that you see in Michal’s work, has been test-driving a new band loom and wove this beautiful piece using a pattern from my Complementary-warp Pick-up book. This book has instructions as well as 42 pattern charts.

Facebook keeps reminding me of where I was and what I was doing at this time last year. Here I am at Deanna’s with Yan having so much fun with both of them as I sit at Yan’s foot-tensioned loom. My grey-hair transformation was in full swing and I was getting used to the odd looks people were giving me.

And here we are in April 2020. I have a lot of awesome places, people and experiences to ponder as I gaze out of my bedroom window (and get some Vitamin D at the same time!). News of the book release will be coming soon.

 

 

 

 

 

 

 

 

 

 

Backstrap Weaving – A Post with No Name

It’s been a while since I last posted. Usually these disappearances are due to the fact that I am away from home, busily traveling and weaving with my friends. Not so this time. I am here in Bolivia and, like so many of you, am in lock-down. Every time I came to my blog thinking about writing a post, I would look back in wonder at my last post where my biggest “dilemma” was the fact that I couldn’t get alum….imagine! How could things have changed so much in that relatively short time?… and that would leave me with nothing to say and I would have to go away and think. 

Physical distancing is not a hardship for me. I have always called my home in Bolivia my “Fortress of Solitude”.

So, I decided to take some time to let ideas for my next ikat project percolate even deeper and further. I picked up my inkle loom and started weaving the pattern samples for my next book on DOUBLE WEAVE ON INKLE LOOMS. And once I got started on that, I was on a roll and I have been working away at writing, weaving, photographing and shooting videos.

Shooting videos is usually a bit of a frustrating business. I live in a five-block multi-story condo which is usually bursting with life and sounds.., salsa and cumbia music blasting, children playing and rattling their wheeled toys over the cobbles in the courtyard, car alarms going off, planes flying into the nearby military airport, the honking horns of traffic around the nearby street market, shrieking pet parrots and barking dogs, high energy, high-volume conversations between neighbors (sometimes you would swear that they are arguing, but no, that’s just a normal conversation)! The last time I shot videos for my books was on a Christmas Day and a New Year’s Day a year ago…the only two days with guaranteed quiet as folks slept off the revelry of the previous evenings.

My makeshift photo/video studio at my living room window.

Now, it’s quiet…eerily quiet, every day. It’s so un-Bolivian. I am used to everything being done here at twice the volume that one would experience in other parts of the world. So, apart from interruptions from the parrot shrieking “Bonito!” every now and then, shooting videos in these last days has been a breeze! Even the dogs are quiet. They would erupt into a frenzy when their owners came home but I guess the owners are not going out any more. At midday the sirens sound to announce that curfew has begun but I’ve been able to work around that.

A double-weave key fob with an original pattern designed by one of my students.

Finally, I can see far enough ahead to the end of this writing project. I am hoping that my DOUBLE WEAVE ON INKLE LOOMS book will be available in the next few weeks.

It has dozens of step-by-step photos, detailed instructions and video clips to guide you through this versatile structure.

I liken weaving patterns in this structure to doodling in plain weave. There is a detailed section in the book on designing your own patterns. You could color the cells in any old fashion on the blank pattern charts that are provided without putting any thought into it at all and still be able to weave your “pattern” in warp-faced double weave. It’s that simple. This structure does not use warp-floats. Therefore, you do not have to consider the limitations of float length and alignment when you are designing.

For those who don’t wish to design their own patterns, the book includes at least 45 charts with patterns suitable for bands (I can’t help adding more and more so that number will, most likely, increase!).

The book is aimed at those who use the standard inkle loom. It does need to be a sturdy loom, though. I use the Ashford Inklette and it does the job very well. Some of those teeny tiny tinkle-type looms would probably not stand up to it.

Various finishing techniques are covered too! My bedroom floor is snake pit of woven sample bands!

I hope at a later date to follow up this book with one on wider patterns and some more advanced variations of the method.

Here’s a double-weave band of Joy and Hope for all of us that I wove some time ago in 60/2 silk using the more advanced method for fine threads and for projects that are far too wide for most inkle looms.

Click on this 12-second video if you would like to hear the melody….

In my next posts I will show you pictures of more of the smaller patterns that appear in the new book 🙂

When taking breaks from working at my laptop, I have been re-visiting some of my smaller projects and planning things so I can keep weaving even though I am so involved with writing right now. I made these lanyards for a conference several years ago. The widest one is 1/2”. Bands like these would make great ribbons on which to hang pendants.

The other small items that I love making are wrist cuffs….

I can’t have enough cuffs!

But, the moment that I am well and truly done with the book, I’ll be back tying strips of plastic for another ikat project . I am happy to be spending all this time thinking about it as my silk supply has become even more precious now and I don’t want to waste it on anything hastily put together. Who knows when we will be able to travel again? I had become used to going to the States and bringing back silk and other fancy stuff for my weaving. Mail? Forget it! I sent an envelope of documents by Certified Mail to Australia last October. It still hasn’t arrived!

It’s been heart-warming seeing my online friends finding the time before and during periods of isolation to weave projects using my books. Susan Bratt made another beautiful guitar strap using a pattern from More Andean Pebble Weave Patterns.

Sally Backes is using one of the sweet Windhaven looms to weave a band with a pattern from Complementary-warp Pattern Book.

Linda confesses to being hooked on Andean Pebble Weave and the use of 5/2 perle cotton. I can understand that. The 5/2 size is one of my favorites too. These patterns are from More Andean Pebble Weave Patterns.

Leslie Clark’s band is destined to be a guitar strap. She has combined the S hook pattern from my Andean Pebble Weave on Inkle Looms book is different ways along the edges and central panel of her band.

Marsha Kimball has woven some of the figures from the Rivers and Oceans-themed set into one of her latest bands. This set of patterns appears in my Complementary-warp Pattern Book. along with Christmas, Garden, Animal, Geometric, South American and Spinners and Weavers sets.

Let me leave you all with an image from the shoulder-bag fabric that I wove some time ago….Maja in Germany designed a weaver at her loom in Andean Pebble Weave and allowed me to adapt the pattern in a few ways so that I could chart her version and my adapted one for my pattern book.

I placed two of the ladies weaving together and designed a nice shady tree for them…an idyllic scene…two backstrap weavers sitting peacefully beneath a tree practicing physical distancing.  Take care everyone and stay well.